Cecilia Ann

Pixies

tom:

E|------------------|

the bass follows the guitar parts pretty closely so there's not an
extra clef for it. (wing it-  you know kim did    =)      ).

(amp sproing and feedback in key of E)

|          Em                    G              B
|E|------------------|E|------------------|E|------------------|_____
|E|------------------|E|------------------|E|------------------|_____
|.E|------------------|E|------------------|E|------------------|____
|.E|------------------|___2_____2___5_____4___2____4___________
|_______3___2______2E|------------------|E|------------------|____
|___0_______0E|------------------|E|------------------|___________

  Am                        B
E|------------------|E|------------------|E|------------------|______
E|------------------|E|------------------|E|------------------|______
E|------------------|E|------------------|E|------------------|______
E|------------------|E|------------------|E|------------------|______
___0_________0__0_____0_____2____2__2E|------------------|_____
_________3E|------------------|E|------------------|______________

       Em                 G            B
E|------------------|E|------------------|E|------------------|_____
E|------------------|E|------------------|E|------------------|_____
E|------------------|E|------------------|E|------------------|_____
________________2_____2___5____4___2___4E|------------------|_
___2___2____2E|------------------|E|------------------|__________
_______0E|------------------|E|------------------|_______________

   Am              B                 Em
E|------------------|E|------------------|_____________
E|------------------|E|------------------|_____________
E|------------------|E|------------------|_____________
E|------------------|E|------------------|_____________
___0__________0____2___0E|------------------|_______
__________3________________3___2_____0___________

|1.
|    C           D            Em          C          D
|E|------------------|E|------------------|E|------------------|_____________
|_____________0E|------------------|_________________0_________________
|____0_____2_____2_____0E|------------------|0____2_____2____0___2_____
|E|------------------|_______4___2_____2E|------------------|_____________
|E|------------------|E|------------------|E|------------------|_____________
|E|------------------|E|------------------|E|------------------|_____________

   Am                                              B
E|------------------|E|------------------|E|------------------|E|------------------|__|
E|------------------|E|------------------|E|------------------|E|------------------|__|
___4__4__4__4__2__2__2__2__0__0__0__0E|------------------|E|------------------|.|
E|------------------|E|------------------|___4__4__4__4__4__4__4__4__0_____4___.|
E|------------------|E|------------------|E|------------------|E|------------------|__|
E|------------------|E|------------------|E|------------------|E|------------------|__|

|2.
|   C    D            Em      C         D
|E|------------------|E|------------------|E|------------------|__
|E|------------------|E|------------------|E|------------------|__
|___5____4____2___0___________5___4_____2____0___________
|E|------------------|___2E|------------------|________________
|E|------------------|E|------------------|E|------------------|__
|E|------------------|E|------------------|E|------------------|__

   Am                                              B
E|------------------|E|------------------|E|------------------|E|------------------|__|
E|------------------|E|------------------|E|------------------|E|------------------|__|
___4__4__4__4__2__2__2__2__0__0__0__0E|------------------|E|------------------|.|
E|------------------|E|------------------|___4__4__4__4__4__4__4__4__0_____4___.|
E|------------------|E|------------------|E|------------------|E|------------------|__|
E|------------------|E|------------------|E|------------------|E|------------------|__|


(back to main verse, accent notes one octave higher)


--
Roger Ellero                   In all history the only bright rays cutting
raellero@vela.acs.oakland.edu  through the gloom of oppression have come from
Rochester, E                   men who would rather get hurt than give in.

From: raellero@vela.acs.oakland.edu (Roger Ellero)
Date: 4 Jul 1993 12:03:59 -0400
Newsgroups: rec.music.makers.guitar.tablature,alt.guitar.tab
Subject: * CECILIA ANN CORDC TION *

damn! i made a mistake. that's what i get for posting at 2 am. here
is the corrected measure as it should appear:


   Am                                              B
E|------------------|E|------------------|E|------------------|E|------------------|__|
E|------------------|E|------------------|E|------------------|E|------------------|__|
___4__4__4__4__2__2__2__2__0__0__0__0E|------------------|________0_________.|
E|------------------|E|------------------|___4__4__4__4__4__4__4__4________4___.|
E|------------------|E|------------------|E|------------------|E|------------------|__|
E|------------------|E|------------------|E|------------------|E|------------------|__|

the second to last note (the G under the B chord) originally appeared
--
Roger Ellero                   In all history the only bright rays cutting
raellero@vela.acs.oakland.edu  through the gloom of oppression have come from
Rochester, E                   men who would rather get hurt than give in.